Re-possession
Un Mundo Donde Quepan Muchos Mundos (For a world in which many worlds fit)1
RCA International Lecture Series 21-22, co-curated by Charlotte Grace & Dubravka SekuliÄ
The following is the text-format of an interactive working document that developed the arc of the series, co-mapped by Charlotte and Dubravka, and available to look at here. In the interests of redistributing authorship and amplifying a range of voices from a position of relative visibility (in the architecture world at least), we have committed to excessive footnotes.
Carrying the common wind2 3 of last yearâs Co-liberation lecture series4, this year we look to inhabit and expand the idea of âRe-possession.â
We see possession5 as relating to oneself and one's place. It is both material and ethereal. It can be reclaimed and reoriented. In the spirit of social movements that seek to both take back and push forward,6 we refer to repossession7 as the struggle for an emancipated ownership: an object, state or practice of (re)produced belonging, felt as equally outward and inward, reciprocally individual and collective.
Repossession is a challenge to property: it is permeable and responsive, contingent on belonging and unbelonging.
Over the course of the series we will reach into and out from the earth and the body; searching for ways to repossess and reimagine them.
We will begin by excavating the relationships between geological, decolonial, and architectural practices, before exploring corporeal acts and atmospheres, somatic limitations and horizons, and the embodiment and enactment of emancipated selves and spaces, where a form of repossession is paramount.
We will trace the lines8 that are drawn to oppress, extract, and eliminate, but we will also outline the alliances9 that can unsettle colonial logic.10
With these discussions we seek a practice that can harness the moments and movements that both shape space and strengthen struggle in the search for repossession.
The series works to collect together an intentional community,11 situated in the affordances of now but oriented towards an other future. By mapping the emancipatory routes between ground and horizon, we want to get to the heart of the matter: to stretch out and open up where it meets, holds, and forms us; to foreground the ideas and artefacts that build memory, militancy, solidarity, imagination, and action otherwise.12
Confirmed Speakers include :
CAVE Bureau Anupama Kundoo & Dima Srouji Charles Heller (Forensic Oceanography // Border Forensics) & Nandita Sharma Fred Moten, Stefano Harney & Charmaine Chua Dread Scott & Imani Jacqueline Brown Anne Holtrop Marco Armiero Amin Taha Jinwar Womenâs Village & the University of Rojava Jonas Staal Susana CalĂł & Godofredo Pereira
â Charlotte Grace & Dubravka SekuliÄ
Zapatista Army of National Liberation ↩
Scott, Julius S., 2018. The Common Wind: Afro-American Currents in the Age of the Haitian Revolution ↩
TOUSSAINT, the most unhappy man of men! Whether the whistling Rustic tend his plough Within thy hearing, or thy head be now Pillowed in some deep dungeonâs earless den;â O miserable Chieftain! where and when Wilt thou find patience? Yet die not; do thou Wear rather in thy bonds a cheerful brow: Though fallen thyself, never to rise again, Live, and take comfort. Thou hast left behind Powers that will work for thee; air, earth, and skies; Thereâs not a breathing of the common wind That will forget thee; thou hast great allies; Thy friends are exultations, agonies And love, and manâs unconquerable mind. William Wordsworth, âTo Toussaint LâOuvertureâ [1802] ↩
Co-Liberation: the RCA School of Architecture International Lecture Series 2020-21 Convened by Thandi Loewenson & Dubravka SekuliÄ with Adrian Lahoud, David Burns and Jingru (Cyan) Cheng âAs long as we are resisting we are freeâ echoes the lingering battle-cry of the late Egyptian Marxist Samir Amin. For Amin, revolution was a process, a non-linear struggle forged in the long-now. This is revolution crafted in acts of resistance, in everyday opposition to an oppressive, profit-over-people logic which would seek to foreclose access, movement and imagination. This is revolution enacted through acts of freedom, through dangerous dreaming, alternative occupations and the construction of infinite, previously unthinkable possibilities in the face of enclosure. This is revolution as a home, a place of warmth, care, mutual aid, and solidarity across globally dispersed sites of interconnected struggle. This is a revolution that considers the days after the revolution as an integral part. It does not forget to think about those who will, after the revolution, as artist Mierle Laderman Ukeles reminds us, 'pick up the garbage on Monday morning'. This yearâs series of lectures â under the theme Co-Liberation â draws these acts of resistance and freedom close and into dialogue, understanding that they operate both in time and space. We know that revolution is not a one time event and ask what unspent fuel remains from previous struggles to be reignited today? What can we learn from those who are on the front lines as we seek to imagine and build a more just, equitable world and how can we engage in constructing. ↩
'With respect to land and chattel, possession may well have started as a physical fact, but possession today is often an abstraction... except in the most abstract way, it is not possible to speak of the possession of intangible property.' - Brittanica ↩
Rematriation: The Indigenous concept of Rematriation refers to reclaiming of ancestral remains, spirituality, culture, knowledge and resources, instead of the more Patriarchally associated Repatriation. It simply means back to Mother Earth, a return to our origins, to life and co-creation, rather than Patriarchal destruction and colonisation, a reclamation of germination. ↩
Reconstruction Repair Reparation Rehearsal Refusal Re-appropriation? Redress differs from reparation in that it is not a compensation for lossâloss is immeasurableâbut is rather an articulation of that loss. âTavia Nyongâo, âConclusion,â Afro-fabulations: The Queer Drama of Black Life (New York: NYU Press, 2018), 202. Re-enchantment ↩
âWhat kinds of ethical viewing and reading practices must we employ, now, in the face of these onslaughts? What might practices of Black annotation and Black redaction offer?â - Christina Sharpe, In the Wake ↩
âModern logistics (...) is founded with the first great movement of commodities, the ones that could speak. It was founded in the Atlantic slave trade, founded against the Atlantic slave (...) But the Atlantic slave trade was also the birth of modern logistics because modern logistics is not just about how to transport large amounts of commodities or information or energy, or even how to move these efficiently, but also about the sociopathic demand for access: topographical, jurisdictional, but as importantly bodily and social access.â - HARNEY, Stephen Matthias; FRAPORTTI, Mattia; and CUPINI, Niccolo. Logistics Genealogies: A dialogue with Stefano Harney. (2018). Social Text. 1-16. Research Collection Lee Kong Chian School Of Business. Available at: https://ink.library.smu.edu.sg/lkcsb_research/6228 ↩
"This requires the production of a science of loss, which is to say the science of whiteness, or, logistics." https://www.minorcompositions.info/?p=1032(Harney, Stefano, and Fred Moten. All Incomplete. Wivenhoe: Minor Compositions, 2021.) ↩
Shout out to Hanif Abdurraqib who reminds us that "community is an intentional act." We see ILS as a germ, a seed, a glitch that can provoke this process - as a space of study in university but not of university, an undercommons (thank you Stefano Harney and Fred Moten for giving us vocabulary), a third university in which we dream as we ride the ruin. (thank you la paperson for showing us that âwithin the colonizing university also exists a decolonizing education.â la paperson. A Third University Is Possible. Minneapolis, MN: University of Minnesota Press, 2017.) A reminder that within the Royal College of Art there is also a radical college of art. (thank you RCA UCU) ↩
"The future is no one's property; no need to shackle it. Not otherwise as in political horizon awaits, otherwise as in, a firm embrace of the unknowable; the unknowable as in, a well of infinity I want us to fall down together. Otherwise: the future is now and all those political promises we make to one another, all the wishing and hoping in earnest (say it three times like a spell: wishing and hopeing, wishing and hoping, wishing and hoping), all the leaps from the edges of bridges and mountaintops, all the reaching for and around, all the drug-taking and sex everywhere-we-should-not, all the serious study and strategy, theorising and making anew, all the breakeges that slice historical space-timeâall those movements that clear space and mark our struggle to live free, live better, love more, to knit abundance, all that is the work of another ealm that is not-there." Olufemi, Lola. Experiments in Imagining Otherwise. Maidstone: Hajar Press, 2021. Lola was our guest in Co-liberation ILS 2020/21 together with Focus E15, in a session âPeople need homes, give them keys!â ↩
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